Is it a must-have for a composer or sound-designer to have the adr/games-audio-connect/film functionality of Nuendo because the production companies want me to deliver not only single wav files of the main title, the hero-theme, the fight scene, the sound fx, a dialogue sequence… but need all the files in an adapted format?.As I am no direct experience with the workflow in the games or tv audio segment, you could perhaps give me a little help with the following essential question: This is just because I am preparing a job change in direction of music for film/tv/games. I wonder if there’s a definitive, exhaustive list somewhere that would explicitly state any features in Cubase that are truncated/missing in Nuendo? The reason: With the new sale, people are interested in buying Nuendo but I don’t feel comfortable telling them, “Yes, just buy Nuendo, because it has everything from Cubase” without knowing precisely that it’s true. You’ve obviously got expert experience but I’m purposely being a bit of a stickler at this moment. The thing is, I know both programs, but I haven’t studied them in a nuts-and-bolts comparison to really see what may be missing from Nuendo that’s only in Cubase. I think I remember at one time hearing that various MIDI-related tools were somewhat reduced/different in Nuendo vs. As it describes “new features from Cubase 9.5,” I didn’t feel I could rely on it to specifically state “At this time, all Cubase features new and old now exist in Nuendo.”
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